summer

Surrendering

Covid City has gotten ugly. I’ve tried often during these past few weeks to write about it, but I’ve been so hyper-focused on not catching the virus, on keeping my kids safe, on creating a loving home inside our apartment despite the invisible threat immediately outside of it, that I haven’t had the energy or brainpower left over to find words for the experience, much less to reflect on it in a meaningful way. But there are things inside of me that need out, and so here I am, writing and deleting and writing and deleting and finally hitting publish.

I know things now. Things I never, ever would have imagined knowing. Like what it’s like to watch EMTs in quarantine gear haul bodies out of buildings, to learn a neighbor has died because a random stranger is now walking their dog instead, to hear sirens blaring all day every day, to watch a demolition crew clean out a dead person’s third-floor apartment.

Out of everything, this last bit of knowledge haunts me the most. I don’t yet know how to describe the sound of furniture being thrown to the ground and hammered into bits, how to explain what it’s like to witness three men destroy an entire home in two hours. They hauled ass, sweating and shouting at one another through their masks as they grabbed and tossed and banged and packed. It was well coordinated, as fast as it could have been. They didn’t leave a physical scrap behind. But god, what a trail of emotional scraps.

As I sat on my balcony and watched, unable to turn away because even if I did I would still have to hear it, I kept wondering, Is there truly no one who wants this person’s things? I love that my mother’s rooster figurines, her recipes, her favorite red plates, are now mine; they help keep her alive. It seemed wrong to me that all those things could just be tossed out of a window. But later that evening, I thought about how, six years after my mom’s passing, we are still dealing with so much of her unwanted stuff. Perhaps people had already come to this apartment across the street, collected what mattered to them, then let the rest go.

My brain replayed the scene all night long, refusing to let me sleep. At around two in the morning, I thought of a new scenario: maybe there were people who wanted those things but were too afraid of catching Covid to come get them. That means they were probably also too afraid to come visit their sick loved one before she died. I wondered how many people across my city, my state, my country, were dying alone in that exact moment.

I wanted to get out of bed and break things.

CODE COMPLIANCE
That’s not to say it has all been nightmarish. There are beautiful parts, too. My family is connecting in new ways that wouldn’t have happened before. My meditative and spiritual practice is deepening. I am full of ideas for my art. I’m also exercising more often now that I’m not spending ten hours of my week on a train. And just the other day, I took part in a meeting with the Brooklyn Public Library in which 40 different professionals meditated on Zoom together.

But these small victories don’t balance out or erase the hard stuff. In fact, these little joys make the hard stuff feel even more surreal. When I look out at families eating dinner on their balconies, kids scootering on the sidewalk, drivers honking at people blocking their driveways, my brain struggles to compute how this totally normal scenario is so completely not normal. How is it even possible that the greatest city in the world has been taken down by tiny, disease-filled, death-ridden droplets?

virus droplets
Our super’s adult son, who has been helping with the work around our 60-unit building without wearing a mask, recently tested positive. Around the same time, we also discovered that a five-year-old died from a Covid-related stroke and that a hundred other kids in NYC alone were exhibiting bizarre, inflammatory symptoms linked to Covid. Just two days later, the number of infected kids in the city rose to 145; a teenager, who woke up one recent morning in heart failure, described it as “straight-up fire” in his veins. Doctors don’t yet understand why or how it happens. So much for the saving grace that kids are spared.

The good news is, we have an out: my siblings invited us to spend the summer with them and my nephews in Ohio. Four adults, four kids, two dogs, one roof. It will be crazy. But also, they have a yard and access to a pool. And most importantly, there are only 2,000 confirmed cases in Cincinnati versus 200,000 in NYC.

We are privileged in so many ways. Simply because we are white, we are far less likely to die from coronavirus than our black and brown neighbors. We have a place to flee to, a car to get us there, enough money in savings to spend our 2-week quarantine in an Air BnB surrounded by nature. My job is not on the frontlines and therefore I can continue working from any set-up. And we have supportive, loving family to welcome us on the other end of all this. I am beyond grateful that they have opened their home to us.

But it is possible to be grateful for something and extremely upset about something else at the same time. Leaving the home I made ain’t easy. I loved our little New York life. I worked hard for it, dammit. And we have no idea if we’ll be returning to resume it or to pack it up because who knows when the entertainment industry will return enough to employ my husband again (my income is not enough for NYC rent). We also have no idea what the city will be like by the end of the summer. There is still so much left to just wait and see.

I grieve for the loss of it all, sometimes to the point that I feel sick to my stomach. Yet I am also able to feel all the promise within all the darkness. Everything has changed. I’m making choices I never, ever would have considered before. There is excitement and joy in that, too.

Writer’s note added 5/28/2020: I would like to add that recognizing my privilege wasn’t and isn’t enough. I’m embarrassed that I focused so much on sharing my story and not on examining or reflecting on the ways in which BIPOC are disproportionately dying from Covid, are not being heard or helped by our medical system, and are being murdered by our police officers. I have a platform with my blog and I should be using it to improve society, not just tell my story. I posted some resources today for white people to engage in anti-racism work. It should have been included in this post.

Photo credits: The droplets image is credited to QUT: Chantal Labbe.

Bookworm on the Beach


Summer is officially here! Time to bust out the books, bikinis, and sunblock, set up on the beach then refuse to leave until you’ve finished your entire reading list three months later. That’s my plan, at least.

I know I already shared my summer book recs with y’all, but I’m too busy READING ON THE BEACH right now to write a brand new post, and the internet has ruined our ability to remember things from last month, anyway. And to make myself clear, I’m so super serious about #1. Elena Ferrante forever.

5. The Girls by Emma Cline – C+
This book has all the summer trash – sex, murder, drugs, rock-n-roll – but there are some real trigger warnings surrounding rape, so beware. I picked this one up because of its hype: a debut novel by a female writer in her 20’s that quickly became a New York Times best seller but was also heralded as a beautifully written novel. And yes, there are many gorgeous sentences here. But for me, the language actually got in the way of the story. Definitely an interesting choice to pair gorgeous, flowing descriptions with an honest, ugly look at teenage girls getting sucked into a cult (loosely based on the Mansons), but I was overall glad I read it – the story especially shines when we get inside the main character’s painfully realistic, confused little head. James Wood gives a much more thorough review here in The New Yorker.

4. You’ll Grow Out of It by Jessi Klein – B-
This book is brutally hilarious, often self-deprecating in a way that leaves you feeling like Klein is now a strong, confident woman with that rare ability to make fun of herself without getting down about it. As a celebrated female in the male-dominated comedy industry, she offers readers an intriguing, behind-the-scenes look complete with running commentary that doesn’t back down ever; this openness is welcome and brave and definitely drives the novel. Mixed in with the laughs are some deep reflections on our patriarchal society, revelations that most women will appreciate but then will also appreciate the comic relief that follows. However, while Klein’s voice is strong, consistent and easy to access, it’s clear that she writes sketch comedies, not books; the individual sentences are lacking, the flow is choppy, and the overall structure feels forced. There’s even one anecdote repeated in the last few chapters. Still, a fun and thought-provoking ride.

3. Breakfast at Tiffany’s by Truman Capote – B+
I reread this novella for a Capote semester I taught last fall and fell in love with it all over again. For those of you who’ve seen the movie, don’t be put off by the Hollywood ending; there are a handful of major differences between the two, and the book is definitely more rooted in reality. Absolutely gorgeous writing (as always from Capote), a smart and breezy plot filled with New York fun and a touch of darkness, plus one of the most delightful, complicated characters in American literature. Also, only 100 pages.

If you haven’t read In Cold Blood yet, it’s not a traditional summer read but is absolutely stunning, and also the progenitor of the true crime genre – a must-read (or reread!) at some point, though perhaps a better fit for the winter.

2. Commonwealth by Ann Patchett – A-
Everything Ann Patchett writes is gold. Just beautiful, easy to read yet highly intelligent, carefully constructed sentences throughout all of her novels. Commonwealth tells the story of a nontraditional family as they grow from rascals in California to adults spread out all over the world. There’s some darkness here, but it never gets too heavy. While not as impressive as Bel Canto or as deep at The Magician’s Assistant, Commonwealth masterfully treats a large family unit as the main character, jumping through time and switching points of view to give us a thoughtful and enjoyable reflection on love, loss and growth.

5. My Brilliant Friend, the first of the four Neapolitan Novels by Elena Ferrante – A
These books are amazing. I’m on the third right now and CANNOT GET ENOUGH. The characters are so real and distinct and easy-to-love despite their many faults. The depth and complexity of female friendship is at the root of these novels, but Ferrante weaves so many other characters (including the towns and cities which, through her vivid descriptions, feel like characters themselves) in and out with such ease that the overall plot never feels stuck on the two leading ladies. In fact, everything always feels like it’s moving somewhere, even when the characters are sitting still, which brings me to the most dazzling aspect of these novels: Ferrante’s musical writing style. I literally get the rhythm of her sentences stuck in my head like a pop song.

My Summer Reading Recs

beckyreadingascousinit
Guys, I have good news – my reading bug is back! It wasn’t that having a baby necessarily killed my reading bug – I still very much wanted to read – but more like having a baby made my brain so full and tired that it was impossible to read. My eyes felt sticky and glazed over, I’d fall asleep before even finishing a page, and if I somehow did make it farther than that, I’d have no idea what was going on and no patience to reread. In response, I turned to the more manageable length of short stories, but I really missed reading novels. As author Lorrie Moore says, “A short story is a love affair, a novel is a marriage.” Sure, love affairs are fun, but I’d been happily married to literature for decades when we were suddenly thrust into an unavoidable and sad period of separation. But then, a year after returning to work as a new mom, something clicked; I picked up a hardback my friend had given me, tore through it, picked up the next one, and kept going.

So now, six months later, with sunny beach days right around the corner, I’m filled with joy and pride to give you my summer reading recs. And please share yours with me – I have two bug-less summers to make up for!

5. The Girls by Emma Cline – C+
This book has all the summer trash – sex, murder, drugs, rock-n-roll – but there are some real trigger warnings surrounding rape, so beware. I picked this one up because of its hype: a debut novel by a female writer in her 20’s that quickly became a New York Times best seller but was also heralded as a beautifully written novel. And yes, there are many gorgeous sentences here. But for me, the language actually got in the way of the story. Definitely an interesting choice to pair gorgeous, flowing descriptions with an honest, ugly look at teenage girls getting sucked into a cult (loosely based on the Mansons), but I was overall glad I read it – the story especially shines when we get inside the main character’s painfully realistic, confused little head. James Wood gives a much more thorough review here in The New Yorker.

4. You’ll Grow Out of It by Jessi Klein – B-
This book is brutally hilarious, often self-deprecating in a way that leaves you feeling like Klein is now a strong, confident woman with that rare ability to make fun of herself without getting down about it. As a celebrated female in the male-dominated comedy industry, she offers readers an intriguing, behind-the-scenes look complete with running commentary that doesn’t back down ever; this openness is welcome and brave and definitely drives the novel. Mixed in with the laughs are some deep reflections on our patriarchal society, revelations that most women will appreciate but then will also appreciate the comic relief that follows. However, while Klein’s voice is strong, consistent and easy to access, it’s clear that she writes sketch comedies, not books; the individual sentences are lacking, the flow is choppy, and the overall structure feels forced. There’s even one anecdote repeated in the last few chapters. Still, a fun and thought-provoking ride.

3. Breakfast at Tiffany’s by Truman Capote – B+
I reread this novella for a Capote semester I taught last fall and fell in love with it all over again. For those of you who’ve seen the movie, don’t be put off by the Hollywood ending; there are a handful of major differences between the two, and the book is definitely more rooted in reality. Absolutely gorgeous writing (as always from Capote), a smart and breezy plot filled with New York fun and a touch of darkness, plus one of the most delightful, complicated characters in American literature. Also, only 100 pages.

If you haven’t read In Cold Blood yet, it’s not a traditional summer read but is absolutely stunning, and also the progenitor of the true crime genre – a must-read (or reread!) at some point, though perhaps a better fit for the winter.

2. Commonwealth by Ann Patchett – A-
Everything Ann Patchett writes is gold. Just beautiful, easy to read yet highly intelligent, carefully constructed sentences throughout all of her novels. Commonwealth tells the story of a nontraditional family as they grow from rascals in California to adults spread out all over the world. There’s some darkness here, but it never gets too heavy. While not as impressive as Bel Canto or as deep at The Magician’s Assistant, Commonwealth masterfully treats a large family unit as the main character, jumping through time and switching points of view to give us a thoughtful and enjoyable reflection on love, loss and growth.

5. My Brilliant Friend, the first of the four Neapolitan Novels by Elena Ferrante – A
These books are amazing. I’m on the third right now and CANNOT GET ENOUGH. The characters are so real and distinct and easy-to-love despite their many faults. The depth and complexity of female friendship is at the root of these novels, but Ferrante weaves so many other characters (including the towns and cities which, through her vivid descriptions, feel like characters themselves) in and out with such ease that the overall plot never feels stuck on the two leading ladies. In fact, everything always feels like it’s moving somewhere, even when the characters are sitting still, which brings me to the most dazzling aspect of these novels: Ferrante’s musical writing style. I literally get the rhythm of her sentences stuck in my head like a pop song.