publications

2nd Place in Pen Parentis Writing Fellowship!

pen parentis typewriter.pngY’all, I won 2nd place in the Pen Parentis Writing Fellowship! Plus they wrote the most flattering description about my story, 2021, on their blog. I am floating.

It’s organizations like Pen Parentis that keep hope alive in us writerparents, even during these dark and exhausting times. Not only do they provide this fellowship every year, but they also host monthly literary salons, weekly accountability meet-ups, and multiple other community-building events, all centered around inspiring, motivating, and celebrating parents who just want to keep writing but have so much standing between them and their words. Learn more about their work, history, and future events by visiting their website at penparentis.org and/or following them on Instagram: @PenParentis and Twitter: @PenParentis.

And speaking of events, stay tuned for details on a special Zoom salon this fall in which I’ll be reading my prize-winning story!

What is Work? Why At-Home Work Matters + New Essay in MUTHA Magazine!

What is work? Why do we value one type of work and not another? What are we teaching our children about work?

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“It’s All Hard Work,” my recent essay published in MUTHA Magazine, explores the day-to-day of raising a kid, teaching, homemaking, and trying to find peace in the middle of it all, which can feel like a real challenge sometimes given how much work there is to do. And this is how I feel with a partner who does laundry, shuttles pets to the vet, drops kids off at daycare, and even cooks. Can’t imagine parenting with a partner who doesn’t contribute like this!

But the sad truth is, many people around the world still believe that at-home work is “women’s work,” despite the fact many women work outside the home. More insidiously, this line of thinking enforces the gender binary while erasing the male, transgendered, and nonbinary folk who contribute to housework and/or stay at home with their children. It also perpetrates the false idea that gender somehow affects a person’s ability to wash a dish, fry an egg, or change a diaper.

IMG_0324Another false idea that often gets tossed around is that at-home work doesn’t contribute to our economy and is therefore not valuable. This is obviously bullshit, as people who do at-home work are enabling other people to do their work. I mean, no one can focus in an office with unsupervised toddlers running around, no one can wear smelly clothes to a meeting, no one can complete any kind of work without eating. Stay-at-home parents should be getting paid for their contributions; the fact that they aren’t isn’t a reflection on the person but rather on our society. 

But an even bigger reason to call bullshit on the economy argument: people DO get paid for this work! In fact, people run whole businesses based on this kind of work.

Enter the intersectionality of sexism and racism. Our society devalues at-home work in part because the home was historically the woman’s domain while the professional world was created for and by men, but we also devalue it because of our country’s history of slavery. Our collective definition of work, and of worth, is based on a set of systems and beliefs created and held by colonists, mainly rich white men who owned slaves and thought black people were not fully human.

When our founding fathers wrote our constitution and created our legal system, they were not thinking about how to protect and value all types of people and all types of work. They viewed childcare, dishwashing, housekeeping, etc, as chores that were beneath them and therefore to be completed by those who were also beneath them. To earn money for this type of work was unfathomable. Even more unfathomable was the master of the house contributing to this work.

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In our post-slavery, post-Civil Rights era, things haven’t changed all that much. Most housecleaners, nannies, dishwashers, etc are BIPOC and/or immigrants. Most are working for white people of a higher socioeconomic class. Most are paid under-the-table without any benefits or protections, some not even earning minimum wage.

I’m not saying that all white men are racist, that they’re all in a position of economic stability, that they never work in any of the jobs I mentioned above. What I am saying is that our society’s racist and sexist ideas about work are woven into our economic, legal, and politic systems and passed down generation by generation. They are taught, and they are learned. When I observe and listen to my four-year-old child, it’s clear that he finds at-home work to be valuable, to be worthy, to be completed by every member of our household. The idea that this work is undignified and should be relegated to women and/or BIPOC is not innate.

Clearly we need to stop teaching this bullshit to our kids. But that alone isn’t enough; we also have to try to fix the damage that’s already been done.

To start: tip service workers better, including those who clean your house, wash your clothes, prepare and serve your food, and take care of your kids.

Other ways to act: support organizations that demand fair wages and protections for these workers. Present your kids with a model in which everyone contributes to at-home work. Analyze our country’s inherently sexist and racist systems and elect people who will change them. Dig deep into yourself and examine your own biases. Write about it. Talk about it. Change it.

Another idea: read my essay in MUTHA. 😉

Mama Dog, my Horror Story, Published in Tiny Town Times!

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I’m thrilled to announce that my horror story, “Mama Dog,” has been published in the Tiny Town Times, a great little paper produced by Tanline Printing out of Tucson, Arizona, featuring interviews, poetry, art, jokes, and all kinds of other goodies. Check it out here – my story is on pages 20 – 22.

Happy Halloween, everyone! Hope you’re enjoying the skeletons, pumpkins, and warty gourds as much as we are.

Not feeling the spirit just yet? Give a listen to Jonathan Toubin’s Haunted Hop Halloween Mix; it’s a blast and will get those spooky vibes flowin’.

Dancing with Relapse – New Publication!

While anorexia was familiar, intoxicating, even empowering, it was also a terrifying hell I thought I’d escaped from.”

After spending a decade in therapy working to finally put my eating disorder behind me, why have I spent the past five years writing a novel about a teenage artist who develops anorexia?

My latest essay, “Dancing with Relapse,” published today on The Women Who Get Shit Done, reflects on recovery, relapse, and the risks and rewards of fictionalizing my past demons in YA novel Bone Girl. Check it out!

What Doesn’t Kill You – New Publication and Launch Party with The BPRS (My Band)!

The past few weeks in politics have been SUPER intense and have proven to me how much we absolutely need music and literature. I am so thrilled to announce that a short story of mine, excerpted from my novel Bone Girl, was recently published in YA anthology What Doesn’t Kill You alongside 23 other authors, including two-time National Book Award Finalist Eliot Schrefer. I’m extremely excited about this book (which you can buy here, if ya want) and decided a celebration was in order, so on Saturday, October 20th at Freddy’s Bar and Backroom, my duo, The Brooklyn Players Reading Society, is hosting What Doesn’t Kill You the launch party. If you’ve ever felt like the world’s out to get you, then this book and this night are for you.


The party begins on Oct 20th at 7:30 pm with readings by WDKY contributors Tiffany Berryman, Matthue Roth, Abby Maguire, and Eliot Schrefer. Americana singer/songwriter Eli Bridges kicks off the musical portion of the night, followed by experimental pop/rock duo The Brooklyn Players Reading Society (that’s me!).

Copies of the anthology, released on Indomita Press, will be available for purchase at $16.99 a piece (cash only). No cover, 21+, 7:30-10:30 pm.

More info:
Why wait? Buy your copy of What Doesn’t Kill You on Indomita Press by visiting indomitapress.com/our-books.

Eli Bridges is an Americana folk singer/songwriter hailing from Northfield, MA and now based in Brooklyn. Learn more about him at www.elibridges.com and listen to his tunes on Bandcamp.

The Brooklyn Players Reading Society explores the intersection between literature and rock-n-roll, channeling poet songwriters like Lou Reed, Tom Waits, and Laurie Anderson. I sing and play keys, my husband drums. We’re honest and weird but throw in some pop ditties, too. Give a listen on Bandcamp.

Thanks to everyone for your ongoing support and love. I hope to see you all on the 20th. And no matter what happens, remember – keep making your art!