death

You, Ruminating

 

Renee Ashley (pictured) is a phenomenal poet, one who breaks rules, challenges conventions, and leaves her readers changed. I discovered the poem “[you]” shortly after my mom left her body; its words rang in my head during those sleepless nights, both comforting and haunting me.

Rumi’s poem, the spoken-word intro to this song, also resonated with me during this time. I found the concept of a thousand barrels of wine to be wonderfully absurd, and I loved the idea of being so genuinely apathetic that nothing mattered beyond those barrels. The whole thing had a playful feel to it, yet I sensed something sinister there. I ended up putting the two poems together, turning “You, Ruminating” into a place to explore and transform my grief, and into one of my favorite songs from my band’s recent album, One Day,

Want to hear more of our songs? Check out The Brooklyn Players Reading Society at:

Website: thebprs.com
BandcampThe BPRS
YouTube: The Brooklyn Players Reading Society

Surrendering

Covid City has gotten ugly. I’ve tried often during these past few weeks to write about it, but I’ve been so hyper-focused on not catching the virus, on keeping my kids safe, on creating a loving home inside our apartment despite the invisible threat immediately outside of it, that I haven’t had the energy or brainpower left over to find words for the experience, much less to reflect on it in a meaningful way. But there are things inside of me that need out, and so here I am, writing and deleting and writing and deleting and finally hitting publish.

I know things now. Things I never, ever would have imagined knowing. Like what it’s like to watch EMTs in quarantine gear haul bodies out of buildings, to learn a neighbor has died because a random stranger is now walking their dog instead, to hear sirens blaring all day every day, to watch a demolition crew clean out a dead person’s third-floor apartment.

Out of everything, this last bit of knowledge haunts me the most. I don’t yet know how to describe the sound of furniture being thrown to the ground and hammered into bits, how to explain what it’s like to witness three men destroy an entire home in two hours. They hauled ass, sweating and shouting at one another through their masks as they grabbed and tossed and banged and packed. It was well coordinated, as fast as it could have been. They didn’t leave a physical scrap behind. But god, what a trail of emotional scraps.

As I sat on my balcony and watched, unable to turn away because even if I did I would still have to hear it, I kept wondering, Is there truly no one who wants this person’s things? I love that my mother’s rooster figurines, her recipes, her favorite red plates, are now mine; they help keep her alive. It seemed wrong to me that all those things could just be tossed out of a window. But later that evening, I thought about how, six years after my mom’s passing, we are still dealing with so much of her unwanted stuff. Perhaps people had already come to this apartment across the street, collected what mattered to them, then let the rest go.

My brain replayed the scene all night long, refusing to let me sleep. At around two in the morning, I thought of a new scenario: maybe there were people who wanted those things but were too afraid of catching Covid to come get them. That means they were probably also too afraid to come visit their sick loved one before she died. I wondered how many people across my city, my state, my country, were dying alone in that exact moment.

I wanted to get out of bed and break things.

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That’s not to say it has all been nightmarish. There are beautiful parts, too. My family is connecting in new ways that wouldn’t have happened before. My meditative and spiritual practice is deepening. I am full of ideas for my art. I’m also exercising more often now that I’m not spending ten hours of my week on a train. And just the other day, I took part in a meeting with the Brooklyn Public Library in which 40 different professionals meditated on Zoom together.

But these small victories don’t balance out or erase the hard stuff. In fact, these little joys make the hard stuff feel even more surreal. When I look out at families eating dinner on their balconies, kids scootering on the sidewalk, drivers honking at people blocking their driveways, my brain struggles to compute how this totally normal scenario is so completely not normal. How is it even possible that the greatest city in the world has been taken down by tiny, disease-filled, death-ridden droplets?

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Our super’s adult son, who has been helping with the work around our 60-unit building without wearing a mask, recently tested positive. Around the same time, we also discovered that a five-year-old died from a Covid-related stroke and that a hundred other kids in NYC alone were exhibiting bizarre, inflammatory symptoms linked to Covid. Just two days later, the number of infected kids in the city rose to 145; a teenager, who woke up one recent morning in heart failure, described it as “straight-up fire” in his veins. Doctors don’t yet understand why or how it happens. So much for the saving grace that kids are spared.

The good news is, we have an out: my siblings invited us to spend the summer with them and my nephews in Ohio. Four adults, four kids, two dogs, one roof. It will be crazy. But also, they have a yard and access to a pool. And most importantly, there are only 2,000 confirmed cases in Cincinnati versus 200,000 in NYC.

We are privileged in so many ways. Simply because we are white, we are far less likely to die from coronavirus than our black and brown neighbors. We have a place to flee to, a car to get us there, enough money in savings to spend our 2-week quarantine in an Air BnB surrounded by nature. My job is not on the frontlines and therefore I can continue working from any set-up. And we have supportive, loving family to welcome us on the other end of all this. I am beyond grateful that they have opened their home to us.

But it is possible to be grateful for something and extremely upset about something else at the same time. Leaving the home I made ain’t easy. I loved our little New York life. I worked hard for it, dammit. And we have no idea if we’ll be returning to resume it or to pack it up because who knows when the entertainment industry will return enough to employ my husband again (my income is not enough for NYC rent). We also have no idea what the city will be like by the end of the summer. There is still so much left to just wait and see.

I grieve for the loss of it all, sometimes to the point that I feel sick to my stomach. Yet I am also able to feel all the promise within all the darkness. Everything has changed. I’m making choices I never, ever would have considered before. There is excitement and joy in that, too.

Writer’s note added 5/28/2020: I would like to add that recognizing my privilege wasn’t and isn’t enough. I’m embarrassed that I focused so much on sharing my story and not on examining or reflecting on the ways in which BIPOC are disproportionately dying from Covid, are not being heard or helped by our medical system, and are being murdered by our police officers. I have a platform with my blog and I should be using it to improve society, not just tell my story. I posted some resources today for white people to engage in anti-racism work. It should have been included in this post.

Photo credits: The droplets image is credited to QUT: Chantal Labbe.

Resolution: Relax

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Having two children is next level in every way imaginable: the busyness, the joy, the lack of sleep, the love, the extremely fast and disorienting pace in which it all goes by. M sits up now. L reads (he reads!). The two of them cuddle and stare deeply at one another, full of adoration. Future arguments and fist fights feel far away; I’m sure when they arrive, they will feel too soon. Despite the fact that I spend a good chunk of my day staring at dates on a calendar, moving the logistics of our lives around like a jigsaw puzzle, I can’t believe it’s already 2020. Time has become impossible to comprehend.

The passing of a year has marked me, too. My face and neck are wrinklier, my hair longer and wilder, my nerves a bit more frayed. Yet I am also happier, more focused, more impressed and in awe of myself than ever before. There is no confidence booster like birthing a baby in the backseat of a car; I can do anything now! And somehow, in the middle of this barely-controlled chaos also known as raising two kids, I feel more at peace than ever—or perhaps just more acquiesced, which, I suppose, is a version of peace.

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My mom’s birthday recently came and went, another marker of time that continues to confuse me. She would have been 66 this past Christmas Eve. We ate pinto beans with a ham hock over cornbread, followed by cookies we’d made from her handwritten recipes. She was all around us, happy in our offerings. I like how death and birth stop time. Or rather, how they take us beyond time. Time doesn’t stop, it refuses everything except forward motion, but in death and in birth, we go beyond.

2019 was so extremely full. Beautiful and powerful and transformative, but also, A LOT. I am ready for a year of less, though of course I have no control over how much, or how little, comes my way. Perhaps it’s wiser to let go of any expectations and instead find more moments to relax, even within all this muchness. Time won’t slow down, but I can.

“Parallel Planes: The Ghost of Mothers and Daughters” published in The Rumpus!

Parallel-Planes_1If I hadn’t been able to end my second pregnancy with Baby Wow, my new baby wouldn’t be here with us today.

Abortion is family planning. Abortion is a life-saving procedure. Abortion is often the best choice. And this choice has nothing to do with the government or a court but everything to do with the individuals going through it.

I wanted the baby I lost. But when we learned about her lethal chromosomal disorder, continuing the pregnancy – with all its physical risks and with all the trauma it would have caused to myself, Dave, and our first born – was not the right choice.

Women’s stories have been stolen. Our truths about our bodies have been twisted into something unreal yet believed by so many people. These false narratives then go on to inform public policy and ruin lives. Meanwhile, we are told to be quiet, to hide our pregnancies, to hide our miscarriages and abortions, to even hide our periods.

No matter the reasons behind a person’s choice, it is their choice. My choice was hard, messy, emotional, traumatic, and I am grateful for it.

Thank you to The Rumpus for giving me this opportunity to share my truth.

You can read the essay here, accompanied by beautiful artwork by Clare Nauman.

A Bear is Born

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Anyone who lives in New York City is bound to see a celebrity at some point.  Being incredibly unobservant, I went five years without a single sighting.  Then, within just a few months, my little section of Brooklyn was transformed from a quiet, family neighborhood into a star-studded, hipster playground.  Believe me, this part of Greenpoint was not fancy.  But because there were numerous abandoned warehouses scattered along West Avenue, a litter-filled, broken strip of pavement on the East River that boasted a frightening amount of alley cats and a gorgeous view of Manhattan, quite a few television networks moved in: Boardwalk Empire built their 1920’s New Jersey boardwalk two blocks away, Lena Dunham and her girls with great hair yet no self-esteem moved in three blocks southward, and CBS took over a warehouse down the street to film their Broadway-meets-television flop Smash.  Our peaceful corner of the world had been discovered.

Contrary to what you might imagine, this hubbub wasn’t glamorous or exciting.  In fact, it sucked.  Whereas we once always found a parking spot right outside our building, we suddenly had to park a ten-minute walk away because trailers and equipment needed the street instead.  Crew members yelled at us for walking our dogs through their set, also known as the public sidewalk, and fans hoping to catch a glimpse of so-and-so clogged the delis, whose owners jacked up the price of a Modelo six-pack from six to nine dollars (for cans, mind you, not even bottles).

But this was our home – a rent-stabilized home with a yard, no less. My husband and I and our dogs, a mixed breed named Basil and a Boxer named Bear, loved that yard.  So, in order to keep it and to swallow the neighborhood transformation a little more easily, I devised a plan to turn us into super stars.  Or, more exactly, a plan to turn Bear into a super star, fulfilling the rags-to-riches dream I felt she so deserved.

— ◊ —

A few years before this transformation began, Dave and I enjoyed a honeymoon cruise to Bermuda.  Overflowing with giddy love the night we returned home, we visited our local bar and, drunk on beer, marriage vows, and personal pinball records, ran into our neighbor, Adam, standing on the corner with two big dogs, his Rottweiler named Zeus and Sarah the Boxer.

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“Why do you have Sarah?” Dave slurred.  She belonged to another neighbor of ours, a Polish man we often saw walking on West Avenue, and we’d never seen her with anyone else.

In his typical bro manner, Adam replied, “Well, dude, I hate to lay this on you, but her owner died this morning.”

As we pet sweet, stinky Sarah, Adam explained how her owner had been an alcoholic who lived in his broken-down car in the lot behind Adam’s house.  He’d get drunk and wrestle with her, to the point that they’d both draw blood on one another, then pass out in a pile in the backseat.  Adam discovered the man’s body earlier that day because Sarah, sitting on the pavement beside the open passenger door, was barking nonstop; her owner had died from alcohol poisoning that morning and his seemingly final act was to let his dog out of the car.  This was all shocking news to us.

“She’s a good girl, but I can’t keep her,” Adam said, gesturing at his already 100-pound Rotty who was only a year old.  “I don’t know what to do, man.  I just can’t have both dogs at my place.  This breeder in New Jersey was supposed to pick her up thirty minutes ago, but now he’s not even answering his phone.”

“No, no, we know this dog!” Dave exclaimed.  “You can’t give her to a breeder.  We’ll take her for the weekend, find someone who will spay her and be good to her.  Right, honey?”

“Yes, definitely,” I replied, knowing it was a question with only one answer.  But even if I’d had a choice, I still would have agreed.  Sure, she stank, she jumped, she licked, and, to be honest, I thought she was ugly, but, as Dave said, we knew this dog.  We could take a weekend out of our lives to find her a loving home.  Plus, little Basil would go nuts over a house guest.

I should have known what I was getting into when I first saw the look on Dave’s face as he listened to Sarah’s story, but I’d never “fostered” a dog before and honestly believed it would be a two-day commitment.  By the end of the weekend, our decision to keep her came down to a moment when Dave and Basil were both looking at me with pleading eyes, and I just couldn’t say no.  I blame it on the honeymoon vibes.

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— ◊ —

My love vibes had vanished by the time the neighborhood usurpers moved in, however.  (more…)

The Best, the Worst, Here.

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I’ve always held myself to impossibly high standards, standards that I don’t expect from other people. In fact, if someone else makes a mistake, I’m often the first to empathize and offer my support. But when it comes to me, well, I’m supposed to be perfect. Don’t my family, my friends, my students, the world, deserve the best from me?

In the first few months after my mom left her body, when I was so consumed by grief that everything else ceased to matter, I had a major revelation that “the best” doesn’t exist, that it’s just a construct we’ve created that keeps us disconnected from our present reality. During this period of intense grief, I would sometimes think the best choice was to go out with my friends, but then the moment I arrived at the bar, it felt all wrong. Other times it seemed best to stay at home and read, but then I’d cry and feel lonely and wish I’d gone out. Then there were times when whatever I’d chosen, whether it had felt right or wrong in the moment of choosing it, was exactly what I’d needed.

Because “the best” had become so nebulous and easily changeable in my mind, it started to seem not only unreal but also silly. Besides, the grief I was constantly grappling with overpowered everything else and made the process of analyzing if I should have gone out or stayed home feel unimportant, a waste of time.

Humans, or Americans at least, seem to despise discomfort. Even a little bit of it. We’re constantly complaining about how cold or hot the air is, how hungry or full our bellies are. We can’t seem to find that perfect situation. But instead of seeing that it doesn’t exist, we get lost in searching for it and then feel angry or sad that we continually can’t find it.

Now, four and a half years after my mother’s passing, I feel stronger, tougher, and wiser, but I’ve also fallen back into old habits of expecting “the best” then feeling guilty when I don’t achieve it. In a weird way, I miss those few months right after she died. I don’t miss the pain, but I miss the clarity it gave me, how it temporarily freed me from these constructs that I – we – have created.

But I don’t need all-encompassing grief in order to free myself again from these thought patterns. All I have to do is breathe.

 

Amazing comic by Gemma Correll.

Human Waves

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On this fourth anniversary of my mother’s death, I am struck by how often I find her in my day-to-day, by how alive she still is in so many ways. Yet I am also struck by how badly I wish she could have met my son. He has met her, through photographs, recipes, lullabies, records, but she never got to see his face, much less hold his precious little body, and this is the one big thing I still grieve.

But when we lose someone we love, there will always be that one big thing. As I meditate by this glorious ocean, two waves crash into one another directly in front of me, their waters flowing through each other until it’s impossible to tell where either one begins or ends. Seconds later they reverse direction and glide away, disappearing into the vastness of the great water behind them. I think of how my mom and my son are like two waves splashing together inside of me, their waters flowing through each other through me, how really all of us are like waves in the same great glorious human ocean, crashing and gliding and flowing through one another.

Moms, Roosters & New Tattoos

My mother’s obsession with roosters began when I was a kid. I’m not quite sure what sparked it, though there are a few different theories; much like the rooster itself, represented across cultures as a symbolic, magical creature, her passion for them was the stuff of myths. Roosters hung from our ceilings, sat cross-legged on our fridge, balanced on their claws in the corners of our kitchen. She had plates, silverware and salt shakers with roosters, aprons and t-shirts and dresses. She loved them in all forms: detailed and lifelike, polka-dotted and geometric, tall, serious, plump, goofy. If it were remotely a rooster, she adored it.

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While I didn’t personally share in this passion, I delighted in it. The way her face would light up with childlike glee when someone gave her a rooster-shaped knickknack. The way she’d smile, satisfied, as she stared at her collection. The way some of them made her laugh while others brought out an expression of reverence. It made me happy that amidst all of her struggles, something as simple as a rooster could bring her such joy.

As a kid watching our house slowly fill up with variations on the rooster, I could never have guessed how much they would come to mean to me. After my mom died, I found myself in my own kitchen eating from one of her rooster plates, surrounded by rooster ornaments and spice jars and even a rooster watering can, and I felt so grateful to have these regular reminders of her; the rooster had became a symbol of her humor, her uniqueness, her warmth, her amazingly deep love. So yesterday, in honor of my mother and so that I can carry this regular reminder with me everywhere I go, I got a rooster tattoo. It was difficult to pick which kind to go with, but I ultimately chose a Picasso sketch – I feel like it combines her funny obsession with her creativity and her love of art. I had a lot of emotions leading up to it, but as I walked into the parlor last night, I didn’t feel sad or anxious, just full of peace. I breathed and smiled and thought of her as the needles buzzed into my skin, and now, every time I look over and see my rooster’s curly head, I also see my mother’s bright smile, I hear her laugh, and I feel her love inside of me.

Huge thanks to Brian Faulk at Hand of Glory Tattoo for his good vibes and great work!